I don’t think I have ever seen an image of Emmas work, home and art that I haven’t loved and desired. Everything that Emma puts her hand to is incredibly beautiful and personal, delicate and feminine, she combines found objects, antique lace, vintage sequins and lace to make something very contemporary and utterly gorgeous to behold. My husband surprised me with one of her necklaces for my birthday and I have worn it ever since for any occasion where I want to feel special. Literally I attempt to put on a different necklace but always revert to her piece, it is a love affair!
When I started this series I always wanted to ask Emma to participate. I was fascinated to find out how she started working with textiles, how she went about creating her collections (was it the lace that found Emma or Emma who sought out a specific lace?), what inspired her, how did she manage to make so much beauty (in her home and work) with two young children (I’m still struggling) and was she actually human because seriously how can one woman be this talented (okay so I didn’t ask this question specifically but really!).
All I can say is that when Emma responded and said she would love to participate – I think I might have squealed and perhaps even performed a little happy dance around the living room – but of course I did.
Emma has shared some really wonderful insights and snapshots into her life, her inspiration and her creative business and even glimpses into her jewellery sketchbooks. I hope you love discovering more about Emma as much as I did.
“As a kid, I used to keep in my pocket my grannys embroidered handkerchief or my grandpas traditional “mouchoir a carreaux” but my first real textile love was the Dries Van Noten embroidered scarf from the 1998-99 collection” (see photograph above)
“I use the pieces I have found quite quickly, just after 2 weeks, if I am not in a middle of a big order. I am very free, I will choose anything I think is unusual and interesting and I am not tight to a theme. I get help sometimes for embroidery when I have got lots of orders. For the past few month, I have been working with an art director, Audrey Bozetto and it is so refreshing…I use to be a stylist so it handy for photography. I know some amazing photographers too such as Kristin Perers. “
“I have a little corner in my living room so I can work anytime I feel like it, almost all the time… My lace is in vintage boxes underneath my desk and when I am planning the collection I am keeping it in veggies recycled boxes… My sequins and beads are in a vintage box with draws.”
“Each season, it will be something different, from Hmong textiles to Bauhaus paintings… This season it was the exuberance of the Great Gatsby meet the craft and face paint of the tribes (Jimmy Nelson photography)”
“I don’t have creative blocks, I have repetitive strain injury so that is my block… While I rest my arm or think, I watch many inspiring videos on youtube or arte about craft, travels series and also creative projects on science, astronomy, economy or education.”
“I love to go to markets during my summer holidays in France or Italy. I know vintage textiles exhibitors in fairs, I have been working for over 10 years with them, they call me as soon as they have new materials… My favorites are Alfies and Portobello in London.”
“It changes…the mantel piece in the living room, black and white display with jet bead vintage necklaces, lots of silver mirrors and sequins vintage ribbons…”
“My theme was dance: Lil buck, ballet and opera costume, Chanel iridescent embroidery and Rochas spring-summer 2014 collection (the brocade fabric and feather shoes)”
On juggling a successful creative business & motherhood:
“For the moment, it is easy because the school is five minutes from home and food markets as well. My work is very relaxed, I know the buyers of the shops that I have stocked for 10 years, I am never late and always so thankful so keeping a good relationship is my motto. My kids are very independent so they play and create next to my desk. We have time together from 4pm to 8pm time to play, to cook, be together…”
“I love the idea to be free from belongings… But from travelling around I have accumulated pieces like paintings, books or fabrics and I treasure them.”